![]() ![]() This affects the overall reliability and performance of the engine and is the single most important part that is being “broken in.” They are worn in and seating during this initial “break-in period.” The biggest thing in the break-in period is the rings that are around the pistons which help create the compression for the engine. However, the argument seems to be more focused on the duration of the break-in period. Some people may take these myths the wrong way if they don’t listen to both sides of the story.įrom what I can gather, the biggest opponents to the break-in period, are not really against whether or not there should be a break in period. The biggest controversy concerning the engine break-in period is the idea that it is all a myth. If they don’t get hot enough, it will also have an effect on the wearing process. So if they get too hot while they are brand new, it can affect the wearing of them. Most of the components that are inside of a combustion engine have been forged using heat. If the engine is not run hard at all, it will cause these components to improperly mesh together and not seat properly which will also have a toll on the lifespan of the engine.Īs an engine runs it produces a lot of heat. This ends up shortening the lifespan of the engine. If the engine is run as hard as possible right out of the box then these parts might not mesh properly. The very first few hours or miles that the engine is run for are very crucial to the overall performance that this engine will produce. They still have a lot of very sharp edges and hatches on the cylinder walls. #PHOTOX EDGE SERIES#If you are interested in learning more of my digital image developing workflow and techniques check out my series of video tutorials.New engines fresh out of the factory have all new gears, bearings, pistons, piston rings, and other moving parts inside of them that have just been machined. #PHOTOX EDGE FREE#This makes it a more flexible and non-destructive technique.įeel free to leave a comment or question or share your favorite non-destructive techniques for adding definition and structure to an image. Because the High Pass Contrast layer uses the soft light blending mode it is no longer an opaque layer so new adjustments made to layers below will still have affect. However, a USM filter must be applied to an opaque copy layer of the image which means that any adjustment layers below the USM layer will now be rendered useless for future adjustments. This method gives a very similar affect as using the Unsharp Mask (USM) filter set to a large radius to create contrast and definition. I can also adjust the amount of the High Pass effect by changing the opacity of the High Pass Contrast layer. Sometimes I will use two or more High Pass Contrast layers set to different radii so that I can paint in different degrees of definition to different areas of the image. ![]() Rename this layer High Pass Contrast, or something like that.This will stamp the current state of your image to a new layer at the top of your stack called Layer. With the top layer in your layer stack selected click ctrl+alt+shift+e (cmd+opt+shift+e on a Mac).The High Pass filter method of adding structure and definition that I like to use goes a little something like this: However, for the best combination of targeting midtone edge definition while maintaining a non-destructive workflow I find that a High Pass filter method is often my favorite. I often employ several of these methods in any given image. Levels, Curves, Contrast and Shadow/Highlight adjustments as well as the Unsharp Mask filter in Photoshop all offer different approaches and looks. Clarity in Lightroom is a good starting point and the Clarity slider has been improved in the newly released Lightroom 4. There are many adjustments that can be used to these ends, both in Lightroom and in Photoshop. Often it is to help showcase a feature, create a sense of dimension or create more crisp visual clarity in part of an image. Other times it is to reintroduce definition that was lost from the effects of another developing technique. ![]() Sometimes I need to overcome flat light, back lighting or simply the lack of definition inherent in many raw images. Maintaining or introducing edge definition and general structure in an image is something that I often find myself challenged with. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |